And that seemed to be that. Enter successful true crime and mystery writer Gregg Olsen, who suggested we publish the book as an e-book on his new site, crimerant.com. What’s to lose? I thought, and up it went, with a new epilogue describing Franklin’s eventual release. Gregg was sure it would do well; I was highly skeptical. In July, it crept into the top hundred of digital true crime books. I watched in amazement in August as it crept into the top fifty, and then to the top twenty. Priced at $2.99, sales were ten, then fifteen, then twenty copies a day. In September, it broke into the top ten, selling thirtycopies a day.
It seemed like “found money,” which was wonderful, of course, but I was as pleased by the fact that this work was once again out in the reading world, and was finding some acceptance. I have to admit that I became slightly obsessed in tracking the sales during the course of a day. I would imagine a reader somewhere poised over the buy button, close my eyes and urge him/her to click it.
Sales skyrocketed in October, hitting forty a day. I was stunned as it crept past In Cold Blood. Capote created this whole genre, or course, although I think he would disown it today, and I had always been in absolute awe of him and the book. I’ve been accused of mimicking the book with the title of my first work, In Broad Daylight, but the title wasn’t my idea. It was my editor’s sole contribution to the work. I watched a little guiltily as the student passed the master (not that I’m claiming the book is anywhere near the quality of In Cold Blood).
I’ve no idea how long the sales will continue. But, I’ll say this now: Thank God for the Internet, for e-books, for Gregg Olsen. The tiny elite world of New York publishing world has finally lost its hold on what gets published and read in this country. Hallelujah. And thanks, most of all, to all of your new readers.